As a longtime artist, I know my way around tools of the trade: from drawings with pencils/pens/charcoal to painting with watercolor, acrylics and oil. In college I was primarily a woodworker with woodcuts and sculpture, but I leaned toward functionality over pure aesthetics, which meant more of a useful framed construction and practical creations, like furniture design.
When I got out into the REAL world and needed a job beyond what my life was providing at the time, with my basic art background I became a Graphic Artist for an organization that had an internal print shop and needed the setup person to help put other people’s ideas into printed form. There I began working with the newest computers on the market back then which were Steve Jobs hottest new creations: Macs.
It became a whole new universe when advanced Macintosh functionality hit the scene. Typesetting changed. Graphics changed. Skill-sets evolved and you needed to evolve with them. To do that you had to learn new layout programs and drawing/painting programs to get the job done quickly and professionally. You always had to keep up with the latest and greatest software available to do your job well, just to compete in the workplace.
But once in awhile I would still get a request for some basic pencil or pen work, so I didn’t lose my edge with that.
This morning I sat fascinated watching a charcoal artist online work up a masterful drawing that started practically dark-as-night with broad sweeps of thick black charcoal covering 3/4ths of the white textured surface; and I thought ‘What on earth can you do once you put that much pure black on that paper?’ Then I watched him transform that remaining inverted white teardrop shape into a lovely woman’s face that he gently shadowed first with his finger and a shader, outlined details in fine black charcoal pencil, and then highlighted with white pencil to give it the proper 3-D effect of light on raised surfaces like a nose, forehead, cheeks, lips and chin.
The entirety of the massive black background then became her hair and a beautifully detailed black-lace veil covering her head. It was amazing what he did with that massive black area. It was nearly unbelievable. (Too bad I can’t show you the actual image.)[Found it: Artist is Veri Apriyatno @ https://www.facebook.com/watch/?v=1002607734622758 ]
And he did all of this artistry skillfully using only ‘highlights and shadows.’ He took two extremes: blackness and whiteness, and finessed the rest of the image from those extremes until the woman’s head in its entirety breathed life on the page—the work of a true artist.
But as I watched him create this beautiful picture going from whiteness to blackness to subtleties and nuances, and then add the details necessary to make it leap from the paper, it dawned on me that it all came down to ‘highlights and shadows’ to reveal the truth of the image on the page.
Of course I could segue this into a metaphoric life lesson on better finessing our efforts in the world around us rather than perceiving and then reacting to the opposing extremes of a situation, but I hate to diffuse the residual beauty of the aforementioned finished portrait that arose from only charcoal and paper created by a skilled hand. That is the purity of TRUTH.